Freedom: A Novel - Franzen, Jonathan Review & Synopsis

 Synopsis

#1 National Bestseller

Winner of the John Gardner Fiction Award

A National Book Critics Circle Award Finalist

A Los Angeles Times Book Prize Finalist

In his first novel since The Corrections, Jonathan Franzen has given us an epic of contemporary love and marriage. Freedom comically and tragically captures the temptations and burdens of liberty: the thrills of teenage lust, the shaken compromises of middle age, the wages of suburban sprawl, the heavy weight of empire. In charting the mistakes and joys of Walter and Patty Berglund as they struggle to learn how to live in an ever more confusing world, Franzen has produced an indelible and deeply moving portrait of our time.

Review

 Amazon Best of the Month, August 2010 : "The awful thing about life is this:" says Octave to the Marquis in Renoir's Rules of the Game. "Everyone has his reasons." That could be a motto for novelists as well, few more so than Jonathan Franzen, who seems less concerned with creating merely likeable characters than ones who are fully alive, in all their self-justifying complexity. Freedom is his fourth novel, and, yes, his first in nine years since The Corrections. Happy to say, it's very much a match for that great book, a wrenching, funny, and forgiving portrait of a Midwestern family (from St. Paul this time, rather than the fictional St. Jude). Patty and Walter Berglund find each other early: a pretty jock, focused on the court and a little lost off it, and a stolid budding lawyer, besotted with her and almost burdened by his integrity. They make a family and a life together, and, over time, slowly lose track of each other. Their stories align at times with Big Issues--among them mountaintop removal, war profiteering, and rock'n'roll--and in some ways can't be separated from them, but what you remember most are the characters, whom you grow to love the way families often love each other: not for their charm or goodness, but because they have their reasons, and you know them. --Tom Nissley

Jonathan Franzen is the author of three novels-The Corrections, The Twenty-Seventh City, and Strong Motion-and two works of nonfiction, How to Be Alone and The Discomfort Zone, all published by Farrar, Straus and Giroux. He lives in New York City and Santa Cruz, California.

Freedom

The invention of modern freedom—the equating of liberty with restraints on state power—was not the natural outcome of such secular Western trends as the growth of religious tolerance or the creation of market societies. Rather, it was propelled by an antidemocratic backlash following the Atlantic Revolutions. We tend to think of freedom as something that is best protected by carefully circumscribing the boundaries of legitimate state activity. But who came up with this understanding of freedom, and for what purposes? In a masterful and surprising reappraisal of more than two thousand years of thinking about freedom in the West, Annelien de Dijn argues that we owe our view of freedom not to the liberty lovers of the Age of Revolution but to the enemies of democracy. The conception of freedom most prevalent today—that it depends on the limitation of state power—is a deliberate and dramatic rupture with long-established ways of thinking about liberty. For centuries people in the West identified freedom not with being left alone by the state but with the ability to exercise control over the way in which they were governed. They had what might best be described as a democratic conception of liberty. Understanding the long history of freedom underscores how recently it has come to be identified with limited government. It also reveals something crucial about the genealogy of current ways of thinking about freedom. The notion that freedom is best preserved by shrinking the sphere of government was not invented by the revolutionaries of the seventeenth and eighteenth centuries who created our modern democracies—it was invented by their critics and opponents. Rather than following in the path of the American founders, today’s “big government” antagonists more closely resemble the counterrevolutionaries who tried to undo their work.

 Daniel Hannan , The New Road to Serfdom : A Letter of Warning to America ( New York: HarperCollins, 2010). 2. Mark R. Levin, Liberty and Tyranny: A Conservative Manifesto ( New York: Threshold Editions, 2009), 17–18. 3."

Strong Motion

Louis Holland arrives in Boston in a spring of ecological upheaval (a rash of earthquakes on the North Shore) and odd luck: the first one kills his grandmother. Louis tries to maintain his independence, but falls in love with a Harvard seismologist whose discoveries about the earthquakes' cause complicate everything.

Louis Holland arrives in Boston in a spring of ecological upheaval (a rash of earthquakes on the North Shore) and odd luck: the first one kills his grandmother."

Farther Away

Jonathan Franzen's Freedom was the runaway most-discussed novel of 2010, an ambitious and searching engagement with life in America in the twenty-first century. In The New York Times Book Review, Sam Tanenhaus proclaimed it "a masterpiece of American fiction" and lauded its illumination, "through the steady radiance of its author's profound moral intelligence, [of] the world we thought we knew." In Farther Away, which gathers together essays and speeches written mostly in the past five years, Franzen returns with renewed vigor to the themes, both human and literary, that have long preoccupied him. Whether recounting his violent encounter with bird poachers in Cyprus, examining his mixed feelings about the suicide of his friend and rival David Foster Wallace, or offering a moving and witty take on the ways that technology has changed how people express their love, these pieces deliver on Franzen's implicit promise to conceal nothing. On a trip to China to see first-hand the environmental devastation there, he doesn't omit mention of his excitement and awe at the pace of China's economic development; the trip becomes a journey out of his own prejudice and moral condemnation. Taken together, these essays trace the progress of unique and mature mind wrestling with itself, with literature, and with some of the most important issues of our day. Farther Away is remarkable, provocative, and necessary.

Taken together, these essays trace the progress of unique and mature mind wrestling with itself, with literature, and with some of the most important issues of our day. Farther Away is remarkable, provocative, and necessary."

The Corrections

Winner of the 2001 National Book Award for Fiction Nominated for the National Book Critics Circle Award An American Library Association Notable Book Jonathan Franzen's third novel, The Corrections, is a great work of art and a grandly entertaining overture to our new century: a bold, comic, tragic, deeply moving family drama that stretches from the Midwest at mid-century to Wall Street and Eastern Europe in the age of greed and globalism. Franzen brings an old-time America of freight trains and civic duty, of Cub Scouts and Christmas cookies and sexual inhibitions, into brilliant collision with the modern absurdities of brain science, home surveillance, hands-off parenting, do-it-yourself mental healthcare, and the anti-gravity New Economy. With The Corrections, Franzen emerges as one of our premier interpreters of American society and the American soul. Enid Lambert is terribly, terribly anxious. Although she would never admit it to her neighbors or her three grown children, her husband, Alfred, is losing his grip on reality. Maybe it's the medication that Alfred takes for his Parkinson's disease, or maybe it's his negative attitude, but he spends his days brooding in the basement and committing shadowy, unspeakable acts. More and more often, he doesn't seem to understand a word Enid says. Trouble is also brewing in the lives of Enid's children. Her older son, Gary, a banker in Philadelphia, has turned cruel and materialistic and is trying to force his parents out of their old house and into a tiny apartment. The middle child, Chip, has suddenly and for no good reason quit his exciting job as a professor at D------ College and moved to New York City, where he seems to be pursuing a "transgressive" lifestyle and writing some sort of screenplay. Meanwhile the baby of the family, Denise, has escaped her disastrous marriage only to pour her youth and beauty down the drain of an affair with a married man--or so Gary hints. Enid, who loves to have fun, can still look forward to a final family Christmas and to the ten-day Nordic Pleasurelines Luxury Fall Color Cruise that she and Alfred are about to embark on. But even these few remaining joys are threatened by her husband's growing confusion and unsteadiness. As Alfred enters his final decline, the Lamberts must face the failures, secrets, and long-buried hurts that haunt them as a family if they are to make the corrections that each desperately needs.

Winner of the 2001 National Book Award for Fiction Nominated for the National Book Critics Circle Award An American Library Association Notable Book Jonathan Franzen's third novel, The Corrections, is a great work of art and a grandly ..."

How To Be Alone

From Jonathan Franzen, the National Book Award–winning author of The Corrections, come fourteen provocative and entertaining answers to the question of how to be alone in a noisy and distracting mass culture. Although Franzen’s subjects range from the sex-advice industry to the way a supermax prison works, each piece wrestles with essential themes of his writing: the erosion of civic life and private dignity, the dubious claims of technology and psychology, the tragic shape of the individual life. Recent pieces include a moving essay on his father’s struggle with Alzheimer’s disease and a rueful account of Franzen’s brief tenure as an Oprah Winfrey author. This is a book that will further cement Franzen’s reputation as one of the sharpest, toughest, and liveliest writers at work today.

From Jonathan Franzen, the National Book Award–winning author of The Corrections, come fourteen provocative and entertaining answers to the question of how to be alone in a noisy and distracting mass culture."

Freedom Reread

Few writers rankle like Jonathan Franzen. Despite popular acclaim, robust sales, and august literary laurels, Franzen’s polarizing persona shares the spotlight with—and sometimes steals it from—his tragicomic novels of Midwestern family life. In this reconsideration of Freedom (2010), L. Gibson explores the difficulty of coming to terms with Jonathan Franzen. Freedom Reread considers the author’s distinctive narrative technique in light of the contradictions for which he is renowned: widely read curmudgeon, tweeted-about luddite, self-proclaimed partisan of fiction who frequently announces the novel’s death. Bookended by autofictional forays into the process of—and resistance to—taking a definite stance on Franzen, this book places Freedom in conversation with a playful, idiosyncratic array of interlocutors, including Middlemarch and You’ve Got Mail, Amitav Ghosh on climate change and Susan Sontag on metaphor, speculative fiction and Succession. Avowedly ambivalent about Franzen, Gibson offers both a fresh appreciation of the author’s work and a searching critical analysis of his pronouncements on the novel’s fate. Wide-ranging and stylistically ambitious, Freedom Reread delivers an assured, artful inquiry into Franzen’s novelistic technique and public persona.

Bookended by autofictional forays into the process of—and resistance to—taking a definite stance on Franzen, this book places Freedom in conversation with a playful, idiosyncratic array of interlocutors, including Middlemarch and ..."

The Discomfort Zone

A New York Times Notable Book of the Year The Discomfort Zone is Jonathan Franzen's tale of growing up, squirming in his own über-sensitive skin, from a "small and fundamentally ridiculous person," into an adult with strong inconvenient passions. Whether he's writing about the explosive dynamics of a Christian youth fellowship in the 1970s, the effects of Kafka's fiction on his protracted quest to lose his virginity, or the web of connections between bird watching, his all-consuming marriage, and the problem of global warming, Franzen is always feelingly engaged with the world we live in now. The Discomfort Zone is a wise, funny, and gorgeously written self-portrait by one of America's finest writers.

A New York Times Notable Book of the Year The Discomfort Zone is Jonathan Franzen's tale of growing up, squirming in his own über-sensitive skin, from a "small and fundamentally ridiculous person," into an adult with strong inconvenient ..."

The Twenty-Seventh City

25th Anniversary Edition Picador Modern Classics Published in 1988, Jonathan Franzen's The Twenty-Seventh City is the debut novel of a writer who would come to define our times. St. Louis, Missouri, is a quietly dying river city until it hires a new police chief: a charismatic young woman from Bombay, India, named S. Jammu. No sooner has Jammu been installed, though, than the city's leading citizens become embroiled in an all-pervasive political conspiracy. Set in mid-1980s, The Twenty-Seventh City predicts every unsettling shift in American life for the next two decades: suburban malaise, surveillance culture, domestic terrorism, paranoia. A classic of contemporary fiction, The Twenty-Seventh City shows us an ordinary metropolis turned inside out, and the American Dream unraveling into terror and dark comedy.

25th Anniversary Edition Picador Modern Classics Published in 1988, Jonathan Franzen's The Twenty-Seventh City is the debut novel of a writer who would come to define our times."

Crossroads Chapter Sampler

Download the first chapter of Jonathan Franzen's next novel, Crossroads. It’s December 23, 1971, and heavy weather is forecast for Chicago. Russ Hildebrandt, the associate pastor of a liberal suburban church, is on the brink of breaking free of a marriage he finds joyless—unless his wife, Marion, who has her own secret life, beats him to it. Their eldest child, Clem, is coming home from college on fire with moral absolutism, having taken an action that will shatter his father. Clem’s sister, Becky, long the social queen of her high-school class, has sharply veered into the counterculture, while their brilliant younger brother Perry, who’s been selling drugs to seventh graders, has resolved to be a better person. Each of the Hildebrandts seeks a freedom that each of the others threatens to complicate. Jonathan Franzen’s novels are celebrated for their unforgettably vivid characters and for their keen-eyed take on contemporary America. Now, in Crossroads, Franzen ventures back into the past and explores the history of two generations. With characteristic humor and complexity, and with even greater warmth, he conjures a world that resonates powerfully with our own. A tour de force of interwoven perspectives and sustained suspense, its action largely unfolding on a single winter day, Crossroads is the story of a Midwestern family at a pivotal moment of moral crisis. Jonathan Franzen’s gift for melding the small picture and the big picture has never been more dazzlingly evident.

A tour de force of interwoven perspectives and sustained suspense, its action largely unfolding on a single winter day, Crossroads is the story of a Midwestern family at a pivotal moment of moral crisis."

The End of the End of the Earth

A sharp and provocative new essay collection from the award-winning author of Freedom and The Corrections The essayist, Jonathan Franzen writes, is like “a fire-fighter, whose job, while everyone else is fleeing the flames of shame, is to run straight into them.” For the past twenty-five years, even as his novels have earned him worldwide acclaim, Franzen has led a second life as a risk-taking essayist. Now, at a moment when technology has inflamed tribal hatreds and the planet is beset by unnatural calamities, he is back with a new collection of essays that recall us to more humane ways of being in the world. Franzen’s great loves are literature and birds, and The End of the End of the Earth is a passionate argument for both. Where the new media tend to confirm one’s prejudices, he writes, literature “invites you to ask whether you might be somewhat wrong, maybe even entirely wrong, and to imagine why someone else might hate you.” Whatever his subject, Franzen’s essays are always skeptical of received opinion, steeped in irony, and frank about his own failings. He’s frank about birds, too (they kill “everything imaginable”), but his reporting and reflections on them—on seabirds in New Zealand, warblers in East Africa, penguins in Antarctica—are both a moving celebration of their beauty and resilience and a call to action to save what we love. Calm, poignant, carefully argued, full of wit, The End of the End of the Earth provides a welcome breath of hope and reason.

Calm, poignant, carefully argued, full of wit, The End of the End of the Earth provides a welcome breath of hope and reason."

The Twenty-seventh City

Dying St. Louis is turned inside-out by the appointment of a charismatic young woman from Bombay as police chief, an act which launches the city's prominent citizens into political conspiracy. Franzen's first novel is already a classic of contemporary fiction.

Franzen's first novel is already a classic of contemporary fiction."

The Kraus Project

A great American writer's confrontation with a great European critic—a personal and intellectual awakening A hundred years ago, the Viennese satirist Karl Kraus was among the most penetrating and farsighted writers in Europe. In his self-published magazine, Die Fackel, Kraus brilliantly attacked the popular media's manipulation of reality, the dehumanizing machinery of technology and consumer capitalism, and the jingoistic rhetoric of a fading empire. But even though he had a fervent following, which included Franz Kafka and Walter Benjamin, he remained something of a lonely prophet, and few people today are familiar with his work. Luckily, Jonathan Franzen is one of them. In The Kraus Project, Franzen, whose "calm, passionate critical authority" has been praised in The New York Times Book Review, not only presents his definitive new translations of Kraus but annotates them spectacularly, with supplementary notes from the Kraus scholar Paul Reitter and the Austrian author Daniel Kehlmann. Kraus was a notoriously cantankerous and difficult writer, and in Franzen he has found his match: a novelist unafraid to voice unpopular opinions strongly, a critic capable of untangling Kraus's often dense arguments to reveal their relevance to contemporary America. While Kraus is lampooning the iconic German poet and essayist Heinrich Heine and celebrating his own literary hero, the Austrian playwright Johann Nestroy, Franzen is annotating Kraus the way Kraus annotated others, surveying today's cultural and technological landscape with fearsome clarity, and giving us a deeply personal recollection of his first year out of college, when he fell in love with Kraus's work. Painstakingly wrought, strikingly original in form, The Kraus Project is a feast of thought, passion, and literature.

In The Kraus Project, Franzen, whose "calm, passionate critical authority" has been praised in The New York Times Book Review, not only presents his definitive new translations of Kraus but annotates them spectacularly, with supplementary ..."

The End of the Earth

Taken together, these essays trace the progress of a unique and mature mind wrestling with itself, with literature and with some of the most important issues of our day, made more pressing by the current political milieu."

Bookclub in a Box Discusses the Novel the Corrections

Discusses the novel, The Corrections.

Discusses the novel, The Corrections."

Understanding Jonathan Franzen

The first comprehensive study to address Franzen's work to date Jonathan Franzen is a critical darling, commercial success, and magnet for controverys. His third novel, The Corrections (2000), was selected for Oprah's book club, nominated for the Pulitzer Prize, and won the National Book Award. Love him or hate him, the publication of each new novel is a literary event. In Understanding Jonathan Franzen, Timothy W. Galow studies Franzen's first five novels plus his most recent, Crossroads, which was published to much fanfare in 2021. He opens with the Oprah controversy and goes on to unpack the author's ambivalent relationship to his status within the "Theory Generation" of 1980s college-graduates-turned-writers and the postmodern threads that run throughout his work. Galow examines why Franzen's stories of (white, bourgeois) American life have inspired and provoked readers for over two decades.

This careful analysis provides a new lens for viewing each of the works and demonstrates why Franzen's stories of (white, bourgeois) American life have inspired and provoked readers for over two decades."

What If We Stopped Pretending?

The climate crisis is here. Our chance to stop it has come and gone, but this doesn't have to mean the world is ending.

Or you can accept that disaster is coming, and begin to rethink what it means to have hope.' The honesty and realism of Jonathan Franzen's writings on climate have been widely denounced and just as widely celebrated."

Spring Awakening

First performed in Germany in 1906, Frank Wedekind's controversial play Spring Awakening closed after one night in New York in 1917 amid charges of obscenity and public outrage. For the better part of the twentieth century Wedekind's intense body of work was largely unpublished and rarely performed. Yet the play's subject matter—teenage desire, suicide, abortion, and homosexuality—is as explosive and important today as it was acentury ago. Spring Awakening follows the lives of three teenagers, Melchior, Moritz, and Wendl, as they navigate their entry into sexual awareness. Unlike so many works that claim to tell the truth of adolescence, Spring Awakening offers no easy answers or redemption. Today, one hundred years after the play's first performance, a new musical version of this essential modern masterpiece is being hailed as the "best new musical . . . in a generation" (John Heilpern, The New York Observer). Franzen's version of the text—for so long poorly served in English—is unique in capturing the bizarre and inimitable comic spirit that animates almost every line of this unrelentingly tragic play. There couldn't be a better time for this thrilling, definitive new translation.

From Jonathan Franzen, bestselling author of The Corrections and Crossroads, comes his razor-sharp translation of Frank Wedekind's major modern play, Spring Awakening."

Jonathan Franzen and the Romance of Community

Despite the success and significance of Jonathan Franzen's fiction, his work has received relatively little scholarly attention. Aiming to fill this conspicuous gap, Jonathan Franzen and the Romance of Community analyzes each of Franzen's five novels in chronological order to reveal an interior logic animating his work. Integrating various formal and ideological perspectives to illuminate Franzen's work, Jesús Blanco Hidalga demonstrates that the concepts of salvation and redemption, typical of romance narratives, run throughout Franzen's fiction. Even as he re-assesses and expands the familiar interpretations of Franzen's work, Blanco Hidalga shows how these salvation narratives are used for self-legitimization not only by the characters, but by the writer himself. Combining critical rigor with interpretative boldness, Jonathan Franzen and the Romance of Community offers a new theoretical approach to a major contemporary author.

Combining critical rigor with interpretative boldness, Jonathan Franzen and the Romance of Community offers a new theoretical approach to a major contemporary author."

Jonathan Franzen

Jonathan Franzen: The Comedy of Rage is the first critical biography of one of today's most important novelists. Drawing on unpublished emails and both published and private interviews, Philip Weinstein conveys the feel and heft of Franzen's voice as he ponders the purposes and problems of his life and art, from his earliest fiction to his most recent novel, Purity. Franzen's work raises major questions about the possibilities of contemporary fiction: how does one appeal to a wide audience of mainstream readers, on the one hand, while persuading connoisseurs, on the other, that one's fiction has staying power, is high art? More acutely, how did Franzen move from the rage that animates his first two novels to the more generous comic stance of the later novels on which his reputation rests? Wrestling with these questions, Jonathan Franzen: The Comedy of Rage unpacks the becoming of Franzen as a person and a writer-from his ultra-sensitive Midwestern childhood, through his heady years at Swarthmore College, his marriage, and the alienating decade of the 1990s, up to his spectacular ascent and assimilation into pop culture as one of the literary figures of his generation. Weinstein joins biography and criticism in ways that fully respect their differences, but that also grant that the work comes, however unpredictably, out of the life.

Weinstein joins biography and criticism in ways that fully respect their differences, but that also grant that the work comes, however unpredictably, out of the life."

9/11

The terrorist attacks on the twin towers of the World Trade Center on September 11th, 2001 have had a profound impact on contemporary American literature and culture. With chapters written by leading scholars, 9/11: Topics in Contemporary North American Literature is a wide-ranging guide to literary responses to the attacks and its aftermath. The book covers the most widely studied texts, from Don DeLillo's Falling Man, Jonathan Safran Foer's Extremely Loud and Incredibly Close and Jonathan Franzen's Freedom to responses in contemporary American poetry and graphic narratives such as Art Spiegelman's In the Shadow of No Towers. Including annotated guides to further reading, this is an essential guide for students and readers of contemporary American literature.

It is hard not to align this sentiment not only with Franzen's own jeremiads but also with his subsequent, self-aware recalibration of the scope and ... “ Freedom's Limits: Jonathan Franzen , the Realist Novel , and the Problem of Growth."

The Wallace Effect

The Wallace Effect explores David Foster Wallace's contested space at the forefront of 21st-century American fiction. Pioneering Wallace scholar Marshall Boswell does this by illuminating \u0093The Wallace Effect\u0094-the aura of literary competition that Wallace routinely summoned in his fiction and non-fiction and that continues to inform the reception of his work by his contemporaries. A frankly combative writer, Wallace openly challenged his artistic predecessors as he sought to establish himself as the leading literary figure of the post-postmodern turn. Boswell challenges this portrait in two ways. First, he examines novels by Wallace's literary patriarchs and contemporaries that introduce innovations on traditional metafiction that Wallace would later claim as his own. Second, he explores four novels published after Wallace's ascendency that attempt to demythologize Wallace's persona and his literary preeminence. By re-situating Wallace's work in a broader and more contentious literary arena, The Wallace Effect traces both the reach and the limits of Wallace's legacy.

 Franzen , Jonathan . Farther Away: Essays. New York: Farrar, Straus and Giroux, 2012. Franzen , Jonathan . Freedom . New York. Farrar, Straus and Giroux, 2010. Franzen , Jonathan . “ Jonathan Franzen on the Book , the Backlash, His Background."

The Short End of the Sonnenallee

Thomas Brussig’s classic German novel, The Short End of the Sonnenallee, now appearing for the first time in English, is a moving and miraculously comic story of life in East Berlin before the fall of the Wall Young Micha Kuppisch lives on the nubbin of a street, the Sonnenallee, whose long end extends beyond the Berlin Wall outside his apartment building. Like his friends and family, who have their own quixotic dreams—to secure an original English pressing of Exile on Main St., to travel to Mongolia, to escape from East Germany by buying up cheap farmland and seceding from the country—Micha is desperate for one thing. It’s not what his mother wants for him, which is to be an exemplary young Socialist and study in Moscow. What Micha wants is a love letter that may or may not have been meant for him, and may or may not have been written by the most beautiful girl on the Sonnenallee. Stolen by a gust of wind before he could open it, the letter now lies on the fortified “death strip” at the base of the Wall, as tantalizingly close as the freedoms of the West and seemingly no more attainable. The Short End of the Sonnenallee, finally available to an American audience in a pitch-perfect translation by Jonathan Franzen and Jenny Watson, confounds the stereotypes of life in totalitarian East Germany. Brussig’s novel is a funny, charming tale of adolescents being adolescents, a portrait of a surprisingly warm community enduring in the shadow of the Iron Curtain. As Franzen writes in his foreword, the book is “a reminder that, even when the public realm becomes a nightmare, people can still privately manage to preserve their humanity, and be silly, and forgive.”

As Franzen writes in his foreword, the book is “a reminder that, even when the public realm becomes a nightmare, people can still privately manage to preserve their humanity, and be silly, and forgive.”"

Write in Tune: Contemporary Music in Fiction

Contemporary popular music provides the soundtrack for a host of recent novels, but little critical attention has been paid to the intersection of these important art forms. Write in Tune addresses this gap by offering the first full-length study of the relationship between recent music and fiction. With essays from an array of international scholars, the collection focuses on how writers weave rock, punk, and jazz into their narratives, both to develop characters and themes and to investigate various fan and celebrity cultures surrounding contemporary music. Write in Tune covers major writers from America and England, including Don DeLillo, Jonathan Franzen, Zadie Smith, and Jim Crace. But it also explores how popular music culture is reflected in postcolonial, Latino, and Australian fiction. Ultimately, the book brings critical awareness to the power of music in shaping contemporary culture, and offers new perspectives on central issues of gender, race, and national identity.

 Jonathan . Franzen's . Freedom . Mark. Bresnan. While they each have their quirks and idiosyncrasies, most of the characters in Jonathan Franzen's 2010 novel Freedom should feel familiar to readers of his early work, especially The ..."